RobsBlog

Musings, goings-on, so-ons, and so-forths from Rob Christensen, independent singer-songwriter-recording artist.

My Photo
Name:
Location: Harrisonburg, Virginia, United States

The Basics: I'm a singer-songwriter / recording artist from Harrisonburg, Virginia, which is located in the beautiful Shenandoah Valley. I've released several albums on micro-label, Sweet Science, and have performed solo acoustic shows in up and down both U.S. coasts and in England... Occasionally I write for Tape Op, the creative music recording magazine. For more go to www.robchristensen.com.

Monday, September 17, 2007

Last Weekend's Two-Date-Tour

It's past time that I should be writing about last weekend, September 7-10. To summerize, driving, playing, flying, playing, sleeping, recording, flying, driving.

Friday morning after work (night shift, Thursday night) I got in the truck and headed down to North Carolina to play a show with my pal Gerald, aka Sound of Singles. For him it was to be a record (literally) release party for his "Sound of Singles Sings Seger" (Bob Seger, that is). For me it was a chance to play in a town in which I've never played. Heck, a STATE in chich I've never played. As the drive meant that I wouldn't be getting my usual day's sleep, I did have to stop and nap once. Oh, but how I love road trips. Anyway, I got to Gerald's down in Durham & we headed to Borders to see the Last Town Choir do a shorrt set, which was thoroughly enjoyable. After a dinner salad we packed up for the show. That is, Gerald packed all his gear (I just had an acoustic guitar and a bag filled with CD's and harmonicas) and I helped a bit. That night's venue as the Nightlight in Chapel Hill. The Nightlight is one of those places I can only picture existing in the south. It's a dusty funky old used book / record / CD store with a lunch counter that turns into a bar at night. Sound-wise, it had good big speakers and a nice little stage. Very cool. My set went pretty well - I played 8 songs or so, 30 minutes - although I think my guitar was a little out of tune. I'm going to have to buy one of those stompbox tuners. The audience was very attentative, almost disturbingly so ("Oh my God! They're all STARING at me!!!"). King of Dogs, a charming male/female two-piece was next. This was their first gig but they knocked me out. DJ Ali (I forget her DJ'ing name) spun traditional country mixed with hip-hop and did an amazing job of it! Hearing vinyl on her nice turntables & a decent system was a real treat. I see why people love the sound of vinyl now. Sound of Singles, Gerald's one-man-band, was next. Gerald plays a lot of non-guitar stringed instruments - uke & things I can't hame - and runs them all through various effects and amps for a surprisingly good effect. I didn't know you could get a big sound from a uke!

After heading home, Gerald's home, I turned in after a shower and a bowl of locally made peach ice cream. A few hours later I was awakened by the reality that it was time to catch my plane to New York. It was a small plane, a puddle-jumper, and the weather was nice. I wish I wouldn't have been so tired. I've never flown into New York before and it would have been a good day for airbourne sightseeing.

Once I got my bag at JFK I took the subway into Manhattan, tranferred, and took another train out to Queens. There I met my pal Sasha. We went to the diner down the street (by this time it was 3 pm and I was starving) where we caught up and talked music. After some good conversation we headed back to his place & got ready for our trip back into Manhattan to the Living Room, where I would be playing, not in the main room, but in Googie's Lounge upstairs. We got there as Greg Koons was playing to an audience of 4. Fortunately more people arrived for Carolyn AlRoy's set. Carolyn was responsible for setting up the evening. By the time Matt Keating came on the place was pretty well packed. After terrific sets by Greg and Carolyn and Matt, it was my turn. I felt like I played well, but lots of people were talking during my set. I made a mental note to ask Sasha if they were talking because I sucked or because they'd all come to see Carolyn & Matt and now they wanted to converse. Sasha can be brutal, so I figured it was as good a time as any to see if I have any talent. Fortunately Sasha thought I played well too & complimented me on several things. It's too late to stop now, y'know. After the show everybody exchanged compliments and headed out. Sasha & I stopped for some pizza on the way back to the train station. One thing I love about New York City - there's lots of independent cheap eats around. There's chain fast food too, of course, but in some places it seems like the only cheap food is chain fast food. It's nice to have alternatives, especially when you're poor. After some pizza we caught the train back to Queens, where (the train, not Queens) someone complimented me on my set. It took me by surprise because it was such a small place & I thought I could see everyone there, but I didn't recognize this fellow. So it was nice to get a compliment like that from a stranger.

That night I got my only full-night's sleep of the weekend. The next morning we got breakfast in the diner & headed back into Manhattan. I picked up a Fairport Convention CD & a Gene Clark CD; Sasha picked up Kurt Cobain's journals. I'm going to have to get those sometime. That evening, after "chinese mexican food" (Sasha warned me that it was mexican food cooked by chinese people; I was like, "what, chinese people can't make a burrito?" Turns out it was a burrito that tasted like chinese food. It wasn't bad, though.) we did some recording. It was really nice having someone do the engineering for me so I could just be the artist. We did six songs, solo-acoustic. I got to play Sasha's old Gibson acoustic for four songs; it's a nice guitar that's mellow-sounding enough to make room for my voice. Sasha's got some nice gear; much nicer than mine. It's old and funky and it responded well to my style. Sasha was positively ecstatic with the results. It was a good chance for him to hear how his gear would do, and I think he was actually hearing my songs for the first time. He was saying things like, "Rob! This is a hit! This is a classic!" which was really nice of him.

Because of the excitement of the recording session, I finally got to sleep a little after 2 am, which wasn't good, because I had to be up at 4:15 to catch my shuttle back to JFK. I made it up in time, but again slept on the flight back down to Raleigh, where Gerald was kind enough to pick me up at the airport. After some chat about the shows, it was time for me to drive back up to Washington, DC. Let me tell ya, that was a rough drive to make after just a couple of hours sleep. I had to pull over twice to nap. I got home in the early evening & managed to get an hour and a half of sleep before work. I'd tried to get the night off, but sometimes that just isn't possible. It was a tough night & I think I finally caught up with my sleep this weekend. It was well worth it, though.

Friday, September 07, 2007

"Free For All" email newsletter - September 2007

Hey everyone! Here's my latest email newsletter that I send out whenever there's something to report. If you'd like to subscribe, drip me a line at heyrob@robchristensen.com.

*** Free For All - Rob Christensen Music News (& stuff) - September
2007 ***

Hey Everybody!

First, if you already received this a couple days ago, please accept
my apologies. I really don't think my first try at sending this got
though to anyone, so I'm trying again. Anyways...

It's been ages -- years (!!!) -- since I've sent one of these things
out. So, if you were a Free For All recipient back in 1999-2002, I
hope this letter finds you well. If this is your first Free For All,
Greetings! I most likely put you on the list because either you've
purchased an album, you're someone I met at the Tape Op Conferences,
you're someone I went to school with, or you are a new friend or
acquaintance. If you're receiving this in error or otherwise don't
want your e-mailbox cluttered by this occasional newsletter, let me
know and I'll be happy remove your name from the list.

What's been happening during the last few years? While live
performing & music-making was pretty much set aside, I have kept busy
with the following:

• From 2003-2006 I went back to school at Humboldt State University
and obtained an Elementary Teaching Credential.
• I've moderated several discussion panels about home recording at
Tape Op Magazine Conferences, where I've met lots of wonderful &
fascinating musicians, engineers, and producers.
• I recorded & released my fourth studio CD, Roses For Sharon, in
2005.
• In 2006 I moved to Washington, DC.
• I've traveled all around the U.S.
• And I've managed to play live a few times, notably here in
Washington and in Tucson, AZ.

The main reason I'm sending this out, other than to make contact, is
to let you know that there are a couple of shows coming up soon. On
Friday, September 7, I'll be playing at the Nightlight in Chapel
Hill, NC, at a record release party for Sound of Singles' new "Seger
Sessions," which features Bob Seger tunes. Then on Saturday,
September 8, I'll be jetting up to New York to play upstairs at The
Living Room (!!!) in Googie's Lounge. There I'll be playing with Greg
Koons, Carolyn Alroy, Matt Keating, and Declan Bennett. I'm really
excited about the NYC show -- I've never played in New York before
and I feel extraordinarily fortunate to be able to perform in a place
as cool as The Living Room. (Extra-Special thanks to Matt Keating and
Carolyn Alroy, who made it happen.) As has been the norm the last few
years, it'll be a solo-acoustic show. I'll be playing songs from all
four albums. If you're in either area, come on out. I'd love to see
you!

There may be other shows this fall and winter. However, my main plan
during this time is to hunker down and make another record. (If any
of you know any label folks or have any suggestions, please let me
know). After that I'm looking at hitting the road, at least a little
and maybe a lot, during 2008. I'm especially looking forward to
playing in former homes Northern California and Portland, Oregon.
It's a ways off, but if you'd be interested in touring together or
sharing a show, drop me a line.

In other news, tracks are available for sale / download on my MySpace
page via SnoCap. At this point I'm still trying to decide how I want
to structure the SnoCap shop. I'd like to be able to offer entire
albums, but it may end up being a 'selected tracks' type of store. Of
course, you can always buy the CD's (cheap!) or download from iTunes.

Finally, I'm always on the lookout for other folks to play with here
in the DC area. If you like to play in the folk-rock / indie vein,
email me. A rather long list of my likes and influences can be found
on my MySpace page, www.myspace.com/robchristensen.

Here's some informational links:

Main website: www.robchristensen.com
MySpace: www.myspace.com/robchristensen
iTunes:
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist?artistId=30726016
CD's are also available from CDBaby:
http://cdbaby.com/all/robchristensen
The Living Room, New York: www.livingroomny.com
The Nightlight, Chapel Hill: www.nightlightclub.com

Sound of Singles: http://www.myspace.com/soundofsingles
Matt Keating: http://mattkeating.com/
Carolyn Alroy: http://www.carolynalroy.com

That's it for now. Drop me a line, I'd love to hear from you.

Cheers!
Rob